Vehlinggo, based in Brooklyn, was founded in 2014 and focuses generally on deeper interviews and reviews centered on film and television scores (real and imagined), with some detours into electronic music such as synth-pop, house, disco, and techno.
There are also mixes by the likes of Johan Agebjörn (Sally Shapiro), Pink Gloves (Italians Do It Better) and Forgotten Illusions (Valerie Collective). Additionally, there is the Vehlinggo Presents series of releases — Vehlinggo Presents: 5 Years; Rory Mohon’s Darkly Dreaming (with Burning Witches Records), and Memoryy’s Not Over You remixes.
It All Comes Down to Drive
Vehlinggo launched on the principle of covering everything related to the Drive soundtrack — be it those musicians directly involved or those in their extended family. This includes members of the Valerie Collective and Italians Do It Better. Interview subjects have included Johnny Jewel, Electric Youth, College, and Cliff Martinez, among many others.
About the Vehlinggo Team
Vehlinggo is the creation of longtime journalist and writer Aaron Vehling. He serves as Vehlinggo’s editor-in-chief, publisher, senior writer, and (previously) podcaster. Dread Central has referred to Aaron as a “synth historian” and Drive record label Lakeshore Records has coined him “everyone’s favorite synth writer” and a “Drive soundtrack expert.” Alexander Burkart — creator of logos for College, Anoraak, and Electric Youth — made the cool Vehlinggo logo.
Vehlinggo showcases music that Aaron and his team of contributors likes and that they think others should hear. Regardless of whether he’s the writer of a given piece or someone else is, this is music that you’d likely find in his music collection. In that way, this is more of a recommendation site. We typically aren’t going to write about a release just to trash it.
Contributors to Vehlinggoland have included Andrew B. White of Diamond Field (writer, photographer, and designer); Abigail Gordon of Bunny X (live events and creative consulting); Kent “Von” Hertzog (audio engineering consultation); Alex Karlinsky of Highway Superstar (curation consulting and projects consulting) and Pat “Misty Vales” Vehling (writing and DJ mixes). There is also a host of freelance writers and others who’ve contributed to this site: Graham Reznick, Ben Lovett, Chris Webster, Jeff Treppel, Dan Haigh (of GUNSHIP), Private Agenda, James Mann, and Justin Weems.
Vehlinggo Celebrated 5 Years in November 2019 with a Massive Compilation
Vehlinggo Presents: 5 Years features new or previously unreleased music from artists covered on this site with some regularity — as part of the ongoing Vehlinggo Presents series. Listen to the music via the embed below (you can also buy it there):
Aaron Does Commissions & Freelance Writing
Aaron does commissioned copywriting and podcasting, along with freelance music journalism. Aaron’s freelance writing appears in Bloody Disgusting, Dread Central and City Pages, among other publications.
Aaron’s copywriting has traditionally centered on blurbs, obi strips, hype stickers, bios, and press releases for artists and labels — with content and social strategy an option in some circumstances. Recent examples include copy for Italians Do It Better’s store, the obi strips for MONDO/Death Waltz releases (official soundtracks for Ma, The Wind, and Exode), and the hype stickers for Lakeshore Records’ vinyl release of the Assassination Nation soundtrack and Burning Witches Records’ vinyl release of Deadly Avenger’s I Am Godzilla, You Are Japan.
Examples of podcasting commissions include interviews with Cliff Martinez and Will Bates for the official Lakeshore Records podcast and Videoman composers Robert Parker and Waveshaper (and director Kristian Söderström) for a one-off Lakeshore podcast promoting that film.
Full portfolio and client list available upon request. Email copywriting-at-vehlinggo.com if you’re interested in working with Aaron in a copywriting or podcast capacity.
To reach Aaron for general inquiries, email him at editor-at-vehlinggo.com. Important Note: Don’t send submissions to the “Editor” email address. Submissions sent to that address are ignored, at best. Scroll down for submission information.
Subscribe to the Vehlinggo Newsletter, which comes out about 16 times a year. It often has exclusive content, and subscribers often are eligible for prizes like records, CDs, downloads, merch, and all-around more fulfilling lives (some of those might be lies).
Want to Write for Vehlinggo?
Email editor-at-vehlinggo.com with three samples of published writing and we’ll talk pitches and compensation, and everything else.
You’ve made it this far. Here’s a prize.
May 2020 Note: Submissions are severely limited while Aaron works on some larger projects. If we have a previous arrangement in place, no need to worry. Otherwise, keep this restricted period in mind if you’re submitting.
If you are a score composer, or you represent a score composer, please submit via composers-at-vehlinggo.com (put an @ in there). Others should email submissions-at-vehlinggo.com.
(C) 2014-2020 Vehlinggo. Feature header art by Jahn Teetsov.