Edited by Aaron Vehling in Harlem, New York. Logo by Alexander Burkart of The Zonders. Contact me at editor-at-vehlinggo.com for discussions and information of various types. No submissions, though. Submissions are closed for now. Do not send submissions. Don’t send submissions to that address, please.
Subscribe to the Vehlinggo Newsletter, which comes out about six times a year. It often has exclusive content and subscribers often are eligible for prizes like records, CDs, merch, and all-around more fulfilling lives (some of those might be lies).
Vehlinggo is filled with reviews, interviews, and sometimes news. There are also the super rare columns, such as the Italo Disco-focused The Beat’s Alive or the second-look-oriented ReSounds. Essentially, I only publish pieces about music I like and that I think others should hear.
I have a particular interest in the following, and those who are inspired by the following — some interviewed here (list not always up-to-date; link denotes an interview):
The Valerie Collective (College, Anoraak, Maethelvin, and more); Electric Youth; Le Matos; The Italians Do It Better family (Johnny Jewel‘s Chromatics, Glass Candy, Symmetry, Desire, Mirage, etc.); Fred Ventura; John Carpenter, Cliff Martinez, Goblin; Tangerine Dream; Enigma.
Record Makers (Kavinsky, Sébastien Tellier, etc.); Phoenix; Chairlift; the erstwhile Factory Records (New Order/Joy Division, Happy Mondays, A Certain Ratio, etc.); Tonite Records (FM Attack; PH Groove, etc.); Omega Supreme Records (Sven Atterton, SaiR, Liquid Pegasus, etc.).
Paperwhite; Futurecop!; Priest; Pr0files; The Colder Sea; Daft Punk; SebastiAn; Todd Edwards; Night Club; Blood Orange; GAYNGS; Prince; Jimmy Jam and Terry Lewis; Vangelis; Depeche Mode; Classixx; Rationale; 2MR (Mike Simonetti/Pale Blue, Deardrums/Bottin, DUST, etc.); DFA Records (LCD Soundsystem, The Juan MacLean, Museum of Love, Shit Robot, Syclops, Holy Ghost!, etc.), etc.
Want to Write for Vehlinggo?
Email editor-at-vehlinggo.com with three samples of published writing and we’ll talk pitches and compensation, and everything else.
(C) 2014-2017 Vehlinggo.