‘Wolverine,’ ‘Impulse’ and the Evolution of Deru

How a Punk Ethos Keeps a Legend Fresh: An In-Depth Interview with Cliff Martinez

Saying Goodbye to ‘The Americans’: An Interview with Composer Nathan Barr

How To Be Dark by Embracing Joy: A Metavari Story

‘The Ritual’: The Story Behind Ben Lovett’s Haunting Score

Examining ‘The Eyes of My Mother’ Score with Composer Ariel Loh

Electric Youth’s Deeper Hidden Meaning

Is It Really Over Already?: Talking about ‘Halt and Catch Fire’ with Composer Paul Haslinger

Giallo Disco’s Antoni Maiovvi: A Portrait

A Film Composer’s Life: Wojciech Golczewski and the Art of Synth Scores

‘Drive’ Soundtrack: Revisiting the Neon-Noir Masterpiece

The ‘Nerve’ of Rob Simonsen: The Lauded Composer Goes Synth and Triumphs Massively

Time Traveling with ‘Synchronicity’ Composer Ben Lovett

Chronicles of Retroland: An Interview with Turbo Kid’s Le Matos

Gregory Jenkins Makes ‘The Final Girls’ More 80s Than 80s