Composer Jeff Grace on the Wild, Wonderful World of Netflix’s ‘Sweet Tooth’
PREMIERE: Two Beautiful Tracks from ‘I Carry You With Me’ Score by Jay Wadley
The Haunting Beauty of ‘Spies’: A Daniel Davies Interview
LISTEN: ‘Allen v. Farrow’ Composer Michael Abels Is on The Lakeshore Podcast
One-Liners: The Return of Sally Shapiro, Anoraak, Jorja Chalmers, Pilotpriest, Wyndsrfr
Michael Oakley Tackles a Different Kind of Retro ‘Odyssey’ on His New Album
The Realistic and the Fantastic: Clark Discusses His New Score for Stephen King’s ‘Lisey’s Story’
PREMIERE: Sicker Man’s “Spooky Trap” from Horror Film ‘Seance’
You’ve Gotta Check Out This Pink Gloves Cover of Dinosaur Jr.
WATCH: New Johan Agebjorn & Mikael Ogren ‘Space Travel’ Video
PREMIERE: Ocean Moon’s Hypnotic Private Agenda Rework
One-Liners: Dawn to Dawn, Gaspard Augé, Reza Safinia & More
Mitch Murder Discusses His New Japan-Inspired ‘Then Again’ LP
‘Sisters with Transistors’: An Empowering Revelation about Electronic Music’s Early Female Pioneers
FM Attack Says Goodbye with the Fantastic ‘The Never Ending’: An Interview
‘The Rise of the Synths’ Soundtrack Vinyl Pre-Order Is Live
New Code Elektro Live Album Is Out (with Vehlinggo Liner Notes!)
PREMIERE: ‘The Girlfriend Experience Season 3’ Score Cue from Matthew Pusti (AKA Makeup and Vanity Set)
Le Matos’ New ‘Ninja Eliminator’ Trilogy Captures the Band’s Captivating Early Years
