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Reviews

Nat Walker (Ex-Chromatics) Gets ‘Physical’ on New EP

by Aaron Vehling (Vehlinggo)September 13, 2023September 19, 2023
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Vehlinggo Is Changing

by Aaron Vehling (Vehlinggo)September 5, 2023September 19, 2023
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LISTEN: A Special One-Off Episode of The Vehlinggo Podcast

by Aaron Vehling (Vehlinggo)August 25, 2023September 19, 2023
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Vehlinggo Is On Break

by Aaron Vehling (Vehlinggo)June 3, 2023September 5, 2023
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Double Feature: Alex Cuervo on “Revealer” and “Scare Package I & II,” Ship to Shore Tape Announcement

by Aaron Vehling (Vehlinggo)June 2, 2023August 25, 2023
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News Premieres

PREMIERE: 2 Killer Anniee and Von Hertzog Collabs, “Fall From The Sky” and “Shut Your Mouth”

by Aaron Vehling (Vehlinggo)May 10, 2023June 2, 2023
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WATCH: Parallels’ Electric ‘Factory Sessions’

by Aaron Vehling (Vehlinggo)May 5, 2023September 19, 2023
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News Premieres

EXCLUSIVE STREAM: Behind The Scenes with ‘How to Blow Up a Pipeline’ Score Composer Gavin Brivik

by Aaron Vehling (Vehlinggo)April 25, 2023May 10, 2023
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The Maestro and the Mutant: A Chat with Fabio Frizzi and The Last Drive-In’s John Brennan

by Rachel ReevesApril 22, 2023September 19, 2023
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PREMIERE & INTERVIEW: Makeup and Vanity Set & Sferro Dive Deep into Datawave on New LP (EXCLUSIVE)

by Aaron Vehling (Vehlinggo)April 5, 2023September 19, 2023
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Features Interviews News Reviews

Walter Mair Offers a Behind-The-Scenes Look at His ‘Liaison’ Score

by Aaron Vehling (Vehlinggo)April 2, 2023June 5, 2023
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Ollie Wride Is Coming To LA: Tickets On Sale NOW

by Aaron Vehling (Vehlinggo)March 17, 2023September 19, 2023
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Valerie Collective Premiere: Maethelvin Returns with Kinetic ‘New Morning’

by Aaron Vehling (Vehlinggo)March 17, 2023September 19, 2023
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MAINE IV Finally Gets a Vinyl Release (with Vehlinggo Liner Notes!)

by Aaron Vehling (Vehlinggo)March 5, 2023September 19, 2023
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Listening List Reviews

Listening List: Tim Hecker’s ‘Infinity Pool,’ Billy Nomates, Window Seat

by Aaron Vehling (Vehlinggo)February 6, 2023April 9, 2023
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Mecha Maiko Nominated for a Juno Award

by Aaron Vehling (Vehlinggo)February 3, 2023September 19, 2023
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Reviews

You Need To Listen To Casual Young Italians

by Aaron Vehling (Vehlinggo)February 3, 2023April 22, 2023
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Features Interviews News

A Deep Dive into the Revamped ‘Dead Space’ with Composer Trevor Gureckis

by Rachel ReevesFebruary 2, 2023March 2, 2023
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NEON News Synthwave News Synthwave.net

NEON Retrofest Returning For The First Time Since 2018

by Aaron Vehling (Vehlinggo)January 29, 2023March 2, 2023
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One-Liners Reviews

One-Liners: Krakow Loves Adana, Drum & Lace, Cliff Martinez, Bunny X & More

by Aaron Vehling (Vehlinggo)January 27, 2023February 2, 2023
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Top Posts & Pages

  • Reliving the Past with The Midnight: An In-Depth Interview
    Reliving the Past with The Midnight: An In-Depth Interview
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    The Evolution of the Remix
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    The Beat's Alive: Clio's 'Faces' Turns 30
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    Vehlinggo Is Changing
  • FM Attack Says Goodbye with the Fantastic 'The Never Ending': An Interview
    FM Attack Says Goodbye with the Fantastic 'The Never Ending': An Interview
  • Outland Are Organizing Canada's Biggest Synthwave Festival
    Outland Are Organizing Canada's Biggest Synthwave Festival
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    The Life of Electric Youth: An In-Depth Profile

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Recent Posts

  • Nat Walker (Ex-Chromatics) Gets ‘Physical’ on New EP September 13, 2023
  • Vehlinggo Is Changing September 5, 2023
  • LISTEN: A Special One-Off Episode of The Vehlinggo Podcast August 25, 2023
  • Vehlinggo Is On Break June 3, 2023
  • Double Feature: Alex Cuervo on “Revealer” and “Scare Package I & II,” Ship to Shore Tape Announcement June 2, 2023

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Vehlinggo

Film/TV scores and soundtracks, synthpop, synthwave, disco, and all that other stuff that makes you dance, cry, and fall in love.

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Founded in New York, NY, in 2014.

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