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Home » Features » Page 2

Category: Features

Features Home News News Year End

The 5 Most-Read Vehlinggo Articles of 2022

by Aaron Vehling (Vehlinggo)December 22, 2022January 25, 2023
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Features Home News Reviews Year End

Vehlinggo & Friends Share Our Favorite Releases of 2022

by Aaron Vehling (Vehlinggo)December 16, 2022January 25, 2023
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Home News News Vehlinggo Podcast Year End

The Vehlinggo Podcast Takes A Quick Look at 2022

by Aaron Vehling (Vehlinggo)December 12, 2022December 18, 2022
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Home News Interviews News Vehlinggo Podcast

Adam Miller (Ex-Chromatics) Is on The Vehlinggo Podcast

by Aaron Vehling (Vehlinggo)November 21, 2022August 25, 2023
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Home News Interviews News Vehlinggo Podcast

Such Sights (and Sounds): ‘Hellraiser’ Composer Ben Lovett Visits The Podcast

by Aaron Vehling (Vehlinggo)October 21, 2022November 21, 2022
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Home News Interviews News Vehlinggo Podcast

Vehlinggo Podcast Returns: Composing Duo Drum & Lace and Ian Hultquist Are Guests

by Aaron Vehling (Vehlinggo)October 16, 2022October 27, 2022
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Features Interviews News

A Kismet Story: Postcards from Dawn to Dawn

by Aaron Vehling (Vehlinggo)October 13, 2022October 29, 2025
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Features Interviews News

There’s a Halo Around Greg Tripi: A Deep Dive into the Cliff Martinez Associate’s Elaborate Scoring Career

by Aaron Vehling (Vehlinggo)September 14, 2022October 29, 2022
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Features Interviews News

Dara Taylor on Her Bloody Good Score for ‘The Invitation’

by Rachel ReevesSeptember 9, 2022April 22, 2023
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Features Interviews News

Mark Korven on ‘The Black Phone’ & His Career Composing Horror Scores

by Rachel ReevesAugust 17, 2022May 26, 2026
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Features Guest Posts

Amine Mesnaoui Dives Deep into Gnawa-Inspired ‘African Prayers’

by Amine MesnaouiApril 1, 2022February 3, 2023
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Features Interviews News

Anne Nikitin Brings on the Synths for Elizabeth Holmes Miniseries ‘The Dropout’

by Aaron Vehling (Vehlinggo)March 14, 2022September 14, 2022
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Features Interviews News

Composer Tori Letzler on Her Industrial-Inspired ‘In from the Cold’ Score

by Rachel ReevesMarch 2, 2022March 29, 2022
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Features Guest Posts Synthwave Guest Posts Synthwave.net

Synthwave and the Curious Case of ‘Copywave’

by Michael OakleyFebruary 25, 2022June 2, 2023
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Features Interviews News

The Fantastic Return of Sally Shapiro

by Aaron Vehling (Vehlinggo)February 21, 2022May 3, 2022
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Features Interviews News

‘The Evil Dead’ & ‘Chucky’ Composer Joseph LoDuca Sheds Light on His ‘Scary Sounds’

by Rachel ReevesJanuary 29, 2022September 8, 2022
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Features Interviews News

A Friend Till the End: Composer Joseph LoDuca Discusses his Latest Outing with ‘Chucky’

by Rachel ReevesJanuary 24, 2022February 21, 2022
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Features Home News Reviews Year End

Vehlinggo’s Favorite Releases of 2021

by Aaron Vehling (Vehlinggo)December 17, 2021December 6, 2022
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Features Interviews News

It’s Been a Big Year for ‘The Night House’ Composer Ben Lovett

by Aaron Vehling (Vehlinggo)November 10, 2021May 3, 2022
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Features Interviews News

Biting into the Sound of ‘Night Teeth’ with Drum & Lace and Ian Hultquist

by Rachel ReevesNovember 2, 2021November 11, 2021
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